Emma is an actress. She is also living with an addiction, and it’s trying to kill her. In rehab, but not ready for recovery, Emma just wants to escape—through drugs, through performing, through anything that lets her make her own reality. David Muse directs his first production in the new Victor Shargai Theatre, a theatrical tour-de-force that evokes the vivid and disorienting world of intoxication and lies as Emma decides whether to fight for her recovery and the people, places, and things she’ll face there.
Runtime: 2 hours and 15 minutes with a 15-minute intermission
Read the program.
In the interest of welcoming people with a wide range of needs and life experiences, Studio offers a bit of information on what you will encounter in the play. Use this information as it is helpful to you.
Environment Warnings: This production of People, Places & Things contains the use of herbal tobacco, flashing lights, stage blood, medical equipment (including facsimile needles), a small amount of vomit, loud noises, and gunshot sound effects.
People, Places & Things is generously underwritten by Joan and David Maxwell.
Duncan Macmillan is an award-winning playwright and director. His play Lungs received its world premiere at Studio in 2011, and he directed the US premiere of Mike Bartlett’s play Contractions at Studio in 2013. Studio also presented Olney Theatre Center’s production of his play Every Brilliant Thing in 2019. Duncan’s production of 1984, which he co-adapted and co-directed with Robert Icke, played at the Hudson Theatre on Broadway in 2017, after three runs in the West End and multiple national and international tours, including to the Shakespeare Theatre Company. People, Places & Things premiered at the National Theatre in 2015, before touring the UK and transferring to the West End the following year. It was subsequently revived at St. Ann’s Warehouse in New York. Both People, Places & Things and 1984 were nominated as Best New Play at the Laurence Olivier Awards, and Duncan’s adaptation of Henrik Ibsen’s Rosmersholm, which played the West End in 2019, was nominated for Best Revival. His work has been performed throughout the world, including at The Old Vic, The Royal Court Theatre, the Almeida Theatre, the Barbican, Barrow Street Theatre, Melbourne Theatre Company, Berliner Ensemble, Deutsches Schauspielhaus (Hamburg, Germany), Schauspiel Köln (Cologne, Germany), Burgtheater (Vienna, Austria), Vesturport (Reykjavik, Iceland), Kansallisteatteri (Helsinki, Finland), Nationaltheatret (Oslo, Norway), and in the repertory of the Schaubühne (Berlin). He has collaborated with orchestras and DJs and co-authored a book on climate science with Professor Chris Rapley. His screen work has appeared on BBC, HBO, Netflix, and at the London and Berlin Film Festivals.
(As of June 2022)
David Muse is in his thirteenth season as Artistic Director of Studio Theatre, where he has directed Cock (the in-person and digital productions), The Children, The Remains, The Effect, The Father, Constellations, Chimerica, Murder Ballad, Belleville, Tribes, The Real Thing, An Iliad, Dirt, Bachelorette, The Habit of Art, Venus in Fur, Circle Mirror Transformation, reasons to be pretty, Blackbird, Frozen, and The Intelligent Design of Jenny Chow. As Studio’s Artistic Director, he has produced 109 productions; established Studio R&D, its new work incubator; significantly increased artist compensation; created The Cabinet, an artist advisory board; and overseen Open Studio, a $20 million expansion and upgrade of Studio’s four-theatre complex. Previously, he was Associate Artistic Director of the Shakespeare Theatre Company, where he has directed nine productions, including Richard III, Henry V, Coriolanus, and King Charles III (a co-production with American Conservatory Theater and Seattle Rep). Other directing projects include Frankie and Johnny in the Clair de Lune at Arena Stage, The Bluest Eye at Theatre Alliance, and Patrick Page's Swansong at the New York Summer Play Festival. He has helped to develop new work at numerous theatres, including New York Theatre Workshop, Geva Theatre Center, Arena Stage, New Dramatists, and The Kennedy Center. David has taught acting and directing at Georgetown, Yale, and the Shakespeare Theatre Company’s Academy of Classical Acting. A nine-time Helen Hayes Award nominee for Outstanding Direction, he is a recipient of the DC Mayor’s Arts Award for Outstanding Emerging Artist and the National Theatre Conference Emerging Artist Award. David is a graduate of Yale University and the Yale School of Drama.
(As of June 2022)
Kristen Bush’s selected New York credits include Dan Cody’s Yacht and Taking Care of Baby at Manhattan Theatre Club, The City of Conversation at Lincoln Center Theater, The Common Pursuit at Roundabout Theatre Company, Kin at Playwrights Horizons, King Lear at The Public Theater, and Isaac’s Eye and Photograph 51 at the Ensemble Studio Theatre. Selected Regional credits include Proof at the McCarter Theatre Center and Uncle Vanya at the Goodman Theater (Jeff Award Nomination). Selected film and television roles include Paterno; American Parent; Slumber; Synecdoche, NY; Liberal Arts; The Affair; Law & Order: Special Victims Unit; NCIS; The Good Wife; Blue Bloods; Unforgettable; Suits; Elementary; The Following.
(As of October 2022)
Jeanne Paulsen was last seen at Studio as Hazel in The Children, directed by David Muse. Broadway credits include The Kentucky Cycle (Tony nomination for Best Featured Performance) and The Crucible with Liam Neeson and Laura Linney, directed by Richard Eyre. Select regional theatre credits include Emily Reed in Alabama Story at Repertory Theatre of St. Louis; Erma Bombeck in Erma Bombeck: At Wit’s End at Arizona Theatre Company; Camilla in King Charles III, directed by David Muse, a co-production at American Conservatory Theater in San Francisco, Seattle Rep and Shakespeare Theatre Company; Hazel in The Children at Seattle Rep; Patty in One House Over at Milwaukee Rep; Rosie in Holy Days at South Coast Rep, for which she received an LA Drama Critic’s Circle Award for Lead Performance; numerous roles at Denver Center, A Contemporary Theatre and Intiman Theatre in Seattle; and seven seasons at the Oregon Shakespeare Festival.
(As of October 2022)
David Manis appeared on Broadway in To Kill a Mockingbird, The Curious Incident of the Dog in the Night-Time, Straight White Men, War Horse, Exit the King, The Coast of Utopia, A Free Man of Color, The Rivals, Henry IV with Kevin Kline, Morning’s at Seven, Arcadia, and Abe Lincoln in Illinois. Off Broadway credits include David Cromer’s Our Town and four shows with The Public Theater’s Shakespeare in the Park. Regional appearances include the Guthrie Theater, Shakespeare Theatre Company, Mark Taper Forum, Denver Center, Hartford Stage, Actors Theatre of Louisville, The Old Globe, and many others, beginning with three years on the road with The Acting Company. Television credits include The Blacklist, The Good Fight, Bull, Dickinson, Frasier, The King of Queens, and a telekinetic weatherman on The X-Files. As a playwright: Pretending to Be Danish, Words Fail Me, and Romeo Rosaline Potpan Juliet.
(As of October 2022)
Nathan Whitmer is making his Studio Theatre debut. DC credits include The Heiress at Arena Stage and Candida at Washington Stage Guild. Some favorite regional credits include Macbeth, Love’s Labour’s Lost, and The Comedy of Errors at The Old Globe; Measure for Measure with Globe for All; A Christmas Carol, Reckless, and Ace at Cincinnati Playhouse in the Park; and Company at Virginia Theatre Festival. As a Resident Artist at Barter Theatre, he has appeared in over 25 productions including Cabaret, The 39 Steps, The Glass Menagerie, Disney’s Beauty and The Beast, Age of Arousal, and It’s a Wonderful Life. A passionate teaching artist, Nathan has worked in the classroom with Shakespeare Theatre Company, The Theatre Lab, The Barter Players, Live Arts, Alaska Theatre of Youth, and others. He holds an MFA from the University of San Diego and is a graduate of Ohio University. nathanwhitmer.com.
(As of September 2022)
Jahi Kearse is an actor, singer, musician, creator, activist, and father, returning to the Studio Theatre stage after previously appearing in Slam!, Topdog/Underdog, Fucking A, In the Red and Brown Water, and The Motherfucker with the Hat. Jahi's Broadway credits include Ain't Too Proud: The Life and Times of The Temptations at the Imperial Theatre, Holler If Ya Hear Me at the Palace Theatre, and Baby It's You! at the Broadhurst Theatre. His Off Broadway and regional credits include The Fortress of Solitude and The Total Bent at The Public Theater; Lungs, Bars and Measures, Satchmo at the Waldorf at B Street Theatre; A Christmas Carol at Dallas Theater Center; and Woody Guthrie's American Song, Soul Possessed, and Seussical at the Alliance Theatre. On social media @jahikearse (Facebook and Instagram).
(As of October 2022)
Lise Bruneau is an actor, director, and New York-to-DC transplant who is making her Studio debut. She appeared on Broadway in The Cherry Orchard with Roundabout Theatre Company. Additional New York credits include Hamlet and The Oresteia at the Park Avenue Armory. DC credits include Watch on the Rhine, Junk, and Legacy of Light at Arena Stage; Othello (Emilia), Hamlet, and The Winter’s Tale at Shakespeare Theatre Company; and Broken Glass and Brighton Beach Memoirs (Helen Hayes Nomination) at Theater J. Regional credits include Heartbreak House (Hesione; Henry Award) at Denver Center, Sweat at American Conservatory Theater, and The Revolutionists at Cincinnati Playhouse in the Park. She's directed productions for Chesapeake Shakespeare Company, the Academy for Classical Acting, and MetroStage; while continuing to cause trouble at Taffety Punk leading the Riot Grrrls and Bootlegs. Lise trained at the Royal Academy of Dramatic Art and is proud to be a Taffety Punk.
(As of September 2022)
Tessa Klein’s Studio Theatre credits include Cry It Out, The Hard Problem (Helen Hayes Nomination- Best Actress in a Play), and Chimerica. On Broadway and Off Broadway she has appeared in War Horse at Lincoln Center Theater; The Weir and Philadelphia, Here I Come! at The Irish Repertory Theatre; and A Touch of the Poet at the 14th Street Theatre. DC and regional credits include Labour of Love at Olney Theatre Center, The Curious Incident of the Dog in the Night-Time at Round House Theatre; An Ideal Husband and Argonautika at Shakespeare Theatre Company; Argonautika at McCarter Theatre and Berkeley Repertory Theatre; The Wanderers, The Call, and The Rise and Fall of Annie Hall at Theater J; and The Approach at the Capital Fringe. Film and television credits include The Whitest Kids U' Know, Disappearances, and Peter and John. She studied at Moscow Art Theatre and received a BFA from Carnegie Mellon University. www.tessaklein.com
(As of October 2022)
Derek Garza (he/him) is a Native American/Latino DC-based actor. Recent theatre credits include The Swindlers and Our Town at Baltimore Center Stage; Between Two Knees at Yale Rep; Mother Road at Arena Stage; Othello, Romeo and Juliet, As You Like It, and the world premiere of Between Two Knees at Oregon Shakespeare Festival. His credits include work with Native Earth, American Repertory Theater, TimeLine Theatre, Victory Gardens, Chicago Dramatist, Video Cabaret, and Steppenwolf, to name a few. Television and film credits like ABC's Betrayal, NBC's Chicago Fire, Jimortal (Pilot), Power Book II: Ghost and Canal Street. He received an MFA in acting from Penn State University. www.derekgarza.com.
(As of October 2022)
Lynnette R. Freeman is a Jamaican/Black-American actor, narrator/voice-over artist, doula, teaching artist, and dialect coach. Credits include Sweat at the Guthrie Theater; Hindsight at Fault Line Theatre; The White Card at Penumbra Theatre; By the Way, Meet Vera Stark at Colorado Springs Fine Arts Center; The Skin of Our Teeth and Lost Lake at Berkshire Theatre Group; An Act of God at Wellfleet Harbor Actors Theater; Travisville and Kentucky at Ensemble Studio Theatre and The Actors’ Center; and A Raisin in the Sun at the Arkansas Repertory Theatre and Trinity Rep. Lynnette is a member of Ensemble Studio Theatre. Her voice can be heard narrating Charmaine Wilkerson’s bestselling book Black Cake. You can find more of Lynnette’s narration performances on Audible or wherever audiobooks are sold. On social media at @lynnettefreeman (Twitter) and @lynnetterfreeman (Facebook and Instagram).
(As of October 2022)
Maboud Ebrahimzadeh is an Iranian actor and filmmaker whose previous work at Studio includes Water by the Spoonful and Edgar & Annabel. Additional theatre credits include Disgraced and Murder on the Orient Express at McCarter Theatre; Disgraced at Milwaukee Rep; The Invisible Hand at Theatre Exile (Barrymore Award for Outstanding Lead Actor); Murder on the Orient Express at Hartford Stage; The Price at Arena Stage; Oslo, Small Mouth Sounds, The Book of Will, and Bengal Tiger at the Baghdad Zoo at Round House Theatre (Resident Artist); Mockingbird at The Kennedy Center; Henry IV1, King John, Timon of Athens, and Julius Caesar at Folger Theatre; and Shakespeare in Love and Christmas Carol at People’s Light. He’s also worked with Theater J, Olney Theatre Center, Gulfshore Playhouse, Pennsylvania Shakespeare Festival, Taffety Punk, Baltimore Center Stage, and others. Film and television credits include Jessica Jones, Imperium, Sally Pacholok, and Homebound. On social media as @mindthechasm (Instagram and Twitter) and at maboudebrahimzadeh.com.
(As of October 2022)
Emily Erickson is an actor, teaching artist, voice coach, and multi-instrumentalist based in DC and New York. Her recent credits include Our Black Death at Taffety Punk, Much Ado About Nothing at Chesapeake Shakespeare Company, Man Covets Bird at Spooky Action Theater, Richard II at Her Majesty & Sons, This Beautiful Future at Theaterlab, Fantastagirl and the Math Monster at Adventure Theatre MTC, Julius Caesar at Academy for Classical Acting, and Working: A Musical at Labor Heritage Foundation. Emily serves on the National Theater Institute faculty at the Eugene O'Neill Theater Center and works as a teaching artist at Shakespeare Theatre Company and Round House Theatre. Proud MFA graduate of The Academy for Classical Acting at Shakespeare Theatre Company/George Washington University and BFA from NYU. emilynerickson.com. On social media at @emierickson (Instagram).
(As of November 2022)
David Bryan Jackson’s previous Studio Theatre credits include Guantanamo: ‘Honor Bound to Defend Freedom’, Privates on Parade, and The Invention of Love. Other credits include Birds of North America at Mosaic Theater Company; Hamlet, The Merchant of Venice, Timon of Athens, Henry IV, and Henry V at Shakespeare Theatre Company; All’s Well That Ends Well, Henry IV, Part 1, and Much Ado About Nothing at Folger Theatre; Candida, The Old Masters, Magic, The Best of Friends, and Lord Arthur Savile’s Crime at Washington Stage Guild; The Two-Character Play at Spooky Action Theater; House and Garden at Pittsburgh Irish & Classical Theatre; and Martha, Josie, and the Chinese Elvis at Woolly Mammoth Theatre Company. He has performed David Hare’s one-man play Via Dolorosa on several occasions both locally (Theater J) and across the country. He has directed at various theatres and designed sound/composed music for productions in the DC and Boston areas.
(As of October 2022)
Keith Rubin (he/him) is an actor, writer, and producer. He has appeared Off Broadway in Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic (New World Stages) and has collaborated on new shows at Primary Stages, Ars Nova, and Upright Citizens Brigade Theatre. He can also be seen on television in The Equalizer, Unbreakable Kimmy Schmidt, At Home with Amy Sedaris, The Iliza Shlesinger Sketch Show, Alternatino, and The Late Show with Stephen Colbert. His short film For Hire, which he produced and starred in, recently premiered at the SOHO International Film Festival. www.keithmrubin.com.
(As of October 2022)
Jordan Crow (she/her) is an actor and musician. Her theatre credits include Cymbeline and King Lear at Houston Shakespeare Festival; Unto These Hills at Mountainside Theatre; An Ideal Husband, Romeo and Juliet, and A Midsummer Night’s Dream at the University of Houston Professional Actor Training Program; and Three Sisters and The Last Days of Judas Iscariot at West Virginia University. Jordanecrow.com. On social media at @jordanecrow (Instagram).
(As of October 2022)
Debra Booth has a long history with Studio, where she has set designed Pass Over, Translations, The Wolves, The Father, The Hard Problem, Constellations, The Apple Family Cycle, Jumpers for Goalposts, Belleville, Cock, Bachelorette, and many others. Regional credits include Sooner/Later and Vicuña & The American Epilogue at Mosaic Theater Company; Small Mouth Sounds at Round House Theatre; Richard III, The Collection, and The Lover at the Shakespeare Theatre Company; Marisol at Hartford Stage and The Public Theater; Trying, The Illusion, and Happy Days at Portland Center Stage; the New York premiere of Angels in America at The Juilliard School; Broken Glass at Philadelphia Theatre Company (Barrymore Award nomination); and A Moon for the Misbegotten at Yale Rep. Debra is the recipient of a DC Commission on the Arts and Humanities Artist Fellowship and a National Endowment for the Arts design grant. She is a graduate of the Yale School of Drama.
(As of October 2022)
Helen Q Huang has consistently designed at Studio Theatre over the last 29 seasons. Regional credits include Oregon Shakespeare Festival, The Alley Theatre, Denver Center, Guthrie Theater, Arena Stage, Ford’s Theatre, Round House Theatre, Utah Shakespeare Festival, Children’s Theatre Company, Classic Stage Company, Disney Entertainment, and The Washington Ballet. International credits include set and costume design for the China National Opera House and China Central Television. She is a Helen Hayes Award and Ivey Award winner, a Professor of Costume Design at the University of Maryland, and the author of Character Sketch: A Drawing Course for Costume Designers.
(As of October 2022)
Andrew Cissna is based in Washington, DC where he teaches lighting and multimedia design and technology at the University of Maryland. At Studio Theatre he has designed Queen of Basel, Murder Ballad, Silence! The Musical, and I Wanna Fucking Tear You Apart. Other DC credits include John and Sex with Strangers at Signature Theatre, Cat on a Hot Tin Roof at Round House Theatre, and 1984 at Catalyst Theater Company, all of which received Helen Hayes Award nominations. Other DC credits include Fences at Ford’s Theatre and Me Jane at The Kennedy Center. Regionally, Andrew has designed Jitney at Cincinnati Playhouse in the Park, Noises Off and Harvey at Milwaukee Rep, God of Carnage at the Cape Playhouse, and Noises Off (again) at Perseverance Theatre Company. Andrew holds a BFA from the University of North Carolina School of the Arts and an MFA from the University of Maryland.
(As of October 2022)
Lindsay Jones’ work on Broadway includes Slave Play (Tony nominations - Best Score and Best Sound Design of a Play), The Nap, Bronx Bombers, and A Time to Kill. Off Broadway work includes Privacy (The Public Theater), Bootycandy (Playwrights Horizons), Feeding the Dragon (Primary Stages), and many others. His work has been heard in numerous regional theatres including Guthrie Theater, Baltimore Center Stage, Hartford Stage, Alliance Theatre, Goodman Theatre, and Steppenwolf Theatre. Internationally, his work has been heard at the Stratford Festival in Canada, Royal Shakespeare Company in England, and in many other countries around the world. His work in podcasts includes shows for Marvel, Audible, and the award-winning The Imagine Neighborhood, produced by the Committee for Children. He has scored over 35 films including HBO’s A Note of Triumph, which received the 2006 Academy Award for Best Documentary. Lindsay is the co-chair of Theatrical Sound Designers and Composers Association (TSDCA). lindsayjones.com.
(As of September 2022)
Alex Basco Koch (Projections/Media) is a Drama Desk and Lucille Lortel-nominated projection & media designer for plays, musicals, films, and immersive art events. He created four hours of original video and animation to play alongside the Magnetic Fields' international tour 50 Song Memoir and released a dozen music videos, using that footage, through Nonesuch Records. Alex's projection design work was featured in two films that premiered at the Sundance Film Festival: Norman Lear: Just Another Version of You directed by Academy Award nominated filmmakers Heidi Ewing and Rachel Grady, and Miles Ahead directed by and starring Don Cheadle. Alex is a founding member and current producer of Staging Film, an experimental film and theater project that has featured original work from Leigh Silverman, Heidi Rodewald, and Chisa Hutchinson, among many others. He has led the creative direction of video for brands such as Tyra Banks’ Modelland, Benjamin Moore, and Target. alexbascokoch.com.
(As of October 2022)
Holden Gunster is a designer and fabricator working in theatre, film, and event production. People, Places & Things is his Studio Theatre debut. He has worked as a carpenter on several Off Broadway productions at The Public Theater and on the Broadway production of Mrs. Doubtfire. DC-area credits include The Till Trilogy, In His Hands, Mary Seacole, and Private at Mosaic Theater Company; Ada and the Engine, and How I Learned What I Learned at Avant Bard Theatre; and work with various other groups and companies as a carpenter and fabricator. holdengunster.com
(As of October 2022)
Elizabeth Forte Alman returns to Studio Theatre after last coaching Cock, Cloud 9, and The Hard Problem. A voice, speech, text and dialect coach in the DC area for over 20 years, she has coached productions at The Kennedy Center, Shakespeare Theatre Company, Round House Theatre, Rep Stage, and Everyman Theatre. She is the founder and CEO of Spiel, a corporate training, private coaching, and executive development consulting firm. She is the Head of Theatre Studies in the School of Theatre at George Mason University. She has taught at the University of Maryland, Catholic University, and the Academy of Classical Acting. She is a Shakespeare's Globe Fellow, a Cosmos Club Scholar, and an Associate Teacher of Fitzmaurice Voicework®. Elizabeth holds a PhD in Theatre and Performance Studies from the University of Maryland, an MFA from the Alabama Shakespeare Festival/University of Alabama Professional Actor Training Program, and a BA from Illinois State University.
(As of October 2022)
Adrien-Alice Hansel (she/her) is the Literary Director at Studio, where she has dramaturged the world premieres of John Proctor is the Villain, I Hate it Here, Queen of Basel, No Sisters, I Wanna Fucking Tear You Apart, Red Speedo, Dirt, Lungs, and The History of Kisses, among others, as well as productions of Heroes of the Fourth Turning, The Hot Wing King, White Noise, Tender Age, Flow, Until the Flood, 2.5 Minute Ride, Cry It Out, Translations, Curve of Departure, Wig Out!, Straight White Men, Hedda Gabler, Jumpers for Goalposts, Bad Jews (twice), The Apple Family Cycle, Invisible Man, Sucker Punch, The Golden Dragon, and The New Electric Ballroom, among others. Prior to joining Studio, she spent eight seasons at the Actors Theatre of Louisville, where she headed the literary department and coordinated project scouting, selection, and development for the Humana Festival of New American Plays. She is the co-editor of eight anthologies of plays from Actors Theatre and editor of 11 editions of plays through Studio. Adrien-Alice holds an MFA from the Yale School of Drama.
(As of October 2022)
Lauren Pekel (she/her) returns to Studio Theatre after previously stage-managing Doubt. Additional Studio credits include Cry It Out, Vietgone, P.Y.G. or the Misedumacation of Dorian Belle, Skeleton Crew, The Father, and No Sisters. Her DC theatre credits include productions with Woolly Mammoth Theatre Company, Theater J, Mosaic Theater Company, Theater Alliance, and The Kennedy Center. Regionally, she has worked with the San Francisco Opera’s Merola Opera Program, the American Conservatory Theater in San Francisco, and Skylight Music Theatre in Milwaukee, among others. Lauren is an alumna of the University of Wisconsin Milwaukee’s Theatre Program, with a BFA in Stage Management, and is a proud member of Actors' Equity Association.
(As of September 2022)
Stephen Bubniak (he/him) has previously worked at Studio on John Proctor is the Villain, Queen of Basel, Kings, and The Effect. Other regional credits include Leonard Bernstein’s MASS, Because, and A Wind in the Door at The Kennedy Center as well as events including the REACH opening parade and “We Are All Connected”; American Prophet, Change Agent, Celia and Fidel, A Thousand Splendid Suns, Newsies, and Jitney at Arena Stage; Rock and Roll Man: The Alan Freed Story and Shrek The Musical at Berkshire Theatre Group; White Snake and The Caucasian Chalk Circle at Constellation Theatre Company; Love and Information, Building the Wall, Dry Land, and What Every Girl Should Know at Forum Theatre. He graduated with a double major in Computer Science and Theatre (Design/Production) from American University.
(As of October 2022)
Kate Murray is a Casting Director at The Public Theater/New York Shakespeare Festival in New York City. Studio credits include Pipeline, Kings, and The Hard Problem. Selected New York and regional credits include work with Arena Stage, British Academy of Film and Television Arts, Baltimore Center Stage, Bedlam, Center Theatre Group, Cherry Lane Theatre, Hudson Valley Shakespeare Festival, LAByrinth, New Georges, TheaterWorks Hartford, and Two River Theater. As a Casting Associate, Kate’s Broadway credits include The Crucible, A View From The Bridge, A Delicate Balance, and A Raisin in the Sun.
(As of September 2022)
